Sunday, December 31, 2017

Die Welttraumforscher - Das Licht Loon

Label : Edition Stora - Storage Secret Sounds 004
Country : Germany
Year : 2000
Format : CD
Another year is shining through the cracks of my curtains, and here I am posting music under the illumination brought upon by firework. For all the flack it has gotten, the observed year of 2017 was a very productive one for me, besting this very establishments two previous years combined in terms of posts. You know, the purpose of this whole enterprise? Anyway, I should probably get to talking about today's attraction.
Now, I've been voicing my pleasure in regards to this very artist for some time. Such a treat his synth treatments are. This particular album is no slouch in comparison to what I've heard in his catalog, though it does focus more on the realm of (synth)pop rather than the more ambient and minimal musings, and that's just fine. Pfluger is a fine songwriter, and oftentimes shines most when at his most "conventional". Beautiful stuff. Might be too late to put this on the Neu Year's playlist, but I hope you all have a good'un.


Tuesday, December 26, 2017

Napalmed / Mood Nanamenicaca - Split

Label : Napalmed
Country : Czech Republic
Year : 1999
Format : 7 inch

What was a Christmas present to me is a Boxing Day gift to you, the reader. Hope you all have had a jovial holiday, and if not, I hope to at least spread some joy your ways. Here's some stirring sounds provided by Czech noise masters Napalmed and a sideproject of a blog favorite in Hachiman-Mae.

Now, I'm not sure if many of those who come by this blog read my reviews on rate your music, but I'll keep this brief so as to not create a retread of my review of this on there. This split was something of a surprise to me as it played along, shattering my expectations ov it. At first glance, I had thought this would be a coin of different sides in terms of sound: The harsh machinations of Napalmed and the lowfi junkfolk of Hachiman-Mae. But, as you may hear, it deviates quite a bit from my preconceived notions.
For one, the two sides do not present much of a radical difference from one another when it comes to general aesthetic. Two sides of electronic experimentation as it were. Though Napalmed's contributions fall more into the realms of industrial synth and Mood Nanamenicaca's in the ways of glitch collage, the aural arenas are not separated so much as they are in perpendicular realities. If that makes any sense at all.


Friday, December 22, 2017

Smersh - AIP

Label : Albertine Records - ALB 1-12
Country : US
Year : 1989
Format : LP
The Piscataway legends return. Essential New Joisey indie-pain-dance, as you may know. Smersh has been steadily getting more coverage over the past few years it seems, though still not nearly enough. Such a great band with a monstrous sound unmatched by their distorted progenitors. This ee-pee is no slouch in regards to that voracious aesthetic.
This is another wreckord that I've held onto for awhile, mostly because it has been posted in the past on some faraway blog. Now with the links to it being apparently dead, I've decided to post it. This relative quickie parlays the familiar Smersh sound with its harsh, overgained vocals and incessant drumbeats and synthesizers. There's even a sax in the mix somewhere.

Anyway, it seemed worth mentioning I did some post-production on this number. The third track had a scratch near its end and was a bit annoying, so I applied some clickrepair to the wound. Now, instead of being a loud click, it just sounds like I'm lightly tapping the turntable cover.


Sunday, December 17, 2017

Various Artists - Tête De Bébé

Label : S-S Records - SS020
Country : US
Year : 2006
Format : LP

S-S is a fine label, with it releasing a ton of good stuff and repackaging just the same. And any-body who appreciates Monoshock is good in my book. This particular release, though, doesn't do much for me, toutefois. It's a foreign sequel to the early Ess Ess joint "Babyhead", composed mostly of synth heavy frog garage punx and occasional exp. spasms.


I've not found myself a fan of more straightforward punk musics, especially contemporary forms. I prefer a bit more of a looser structure I guess, though I can't call this uptight. Maybe my receptors are outta whack.


Wednesday, December 6, 2017

Tsukimoto Tadashi [月本正] - 1983-1985

Label : n/a
Country : Japan
Year : 1987
Format : 7 inch flexi

Probably the sparsest record that's been shown a light on this blog. Each little track comes and goes as the needle crosses borders between grooves, leaving only jilted melodie and lowfi guitar and piano recordings behind.

I said before on a different site recently, this is one for fans of pseudo-children's muzak the likes of Uncle Calvin's Private Life, maybe Dragibus, etc... But this is a much more stripped down version of that kind of stuff, so donut expect some elektrik eccentricism. The influence of nursery chimes is obvious when he himself gives thanks to his childhood on the back cover. Placed above his halcyon days, he also gives thanks to the great D.D. Records, one of the greatest tape labels in Japon's fabled histry.

I believe Tsukimoto appears on the excellent DD comp "Disk Musik", performing a chune not unfamiliar to the stylings posed here. He also appeared on some compilations put out by the also excellent and eclectic Fifth Column label.







Sunday, December 3, 2017

Infektionsabteilung - Luzifer's Traum

Label : Narcolepsia - narco070
Country : Portugal
Year : 2015
Format : C30

Here's a more recent tape. Brief dark ambiance for that industrious thrill. Apparently, this is an Italian project. Expect heavy organ and primitive drone. Tiny pinch of noise, too.



Saturday, December 2, 2017

Sejayno / Maths Balance Volumes - Split

Label : 8mm Records - 8mm 031
Country : Italy
Year : 2008
Format : C44

This one's a bit odd, I feel like I got a bootleg of a bootleg. There is some sort of incongruence between my copy and everywhere else I've looked on the web, biggest glare being the difference in cover and tracklisting. Most places I see it's usually just the bird without a listing under it. Also, I can't find any place that links the "Blade Runner" track title to this release or to anything by Sejayno for that matter. Strange.

Speaking of Sejayno, whose name I always mess up for whatever reason, I have another release of theirs that I might post if I feel... Inclined to do so. You might also be familiar with MBV, but I don't have anything else by them. Though I did have Loveless a long while ago, pretty good album you might have heard of it.

Both groups do a noisy take on freefolk from what I see, Blastitude fodder from what I hear. Another Pierre ambiguity is the track order itself, my tape topside is dominated by Seyjano and the flipside likewise sublimated by Math Balances Volume, which contradicts what the "official" websites say... Odd.


Shrug - Nevil Wanless E.P.


Label : Our Mam's Records - MAM 00001
Country : UK
Year : 1988
Format : LP

I was feeling a bit giddy this weekend and have been making more rips as per usual, so I figured I'd do a special edition: Harmful little Armful. It originally was gonna be a metapost with multiple rips on one post but then a lightning bolt came through the skies and ripped into my head like a thought, "Nutz to that" I say, archaically. Without any further transgression, here's the first approved vinyl rip of the special, twice in a blogtime extra-vagenza.


I was quite fortunate to find this in a Omaha record shop, though not that surprising considering it was one of my favorite stores I have had the pleasure of plunging into. Although when I bought it lacked both a sleeve for the record cover and the record proper, and the cover had an accursed price tag stuck onto its bearings (my feeble attempt of fully removing said sticker without consequence is seen clearly in the top right corner of my scan. Also note the damp 50% isopropyl alcohol stain).


Going back to the music--and really, that's why we're here--I had mentioned I was fortunate to find this, the reason being that I really like these lads' musings. I made a comparison to the incredible Tall Dwarfs of that one island nation, difference being that this clourish originates from that other island nation, the one that once owned that one island nation on some velvet morning. "Shrug", as weathermen do, is an apt name for this kinda music. Totally confounding in an enchanting sense. The organ heavy punk rhythms win me all over.



Expect some more rips later on today and tomorrow, I have some free time left in my body.


Wednesday, November 29, 2017

Smegma - The Smell Remains The Same (Singles 90-95)

Label : Anarchymoon Recordings - anok18
Country : US
Year : 2007
Format : LP

What an artist/album title combo, buy on sight stuff right here. Smegma is a passing complexion around these spheres of experimentation, a household noise. I'm not very well heard when it comes to their stuff, being mostly relegated to their compilation contributions. I was quite surprised to hear a somewhat traditional song structure wise when I dropped the needle into its bearings. I was expecting free improv noise from the word go, not psych noise rock. I guess that's why they were singles, obviously destined to be a radio hit.


But really, a lot of great stuff to be heard here, from the aforementioned stylings above, to collage, to industrial and so on. And a bunch of combinations of such.




Sunday, November 26, 2017

Various Artists - Hіstory Of K-НIN Bros. Co. 1982-1994

Label : Super Fuji Discs - FJSP222/231
Country : Japan
Year : 2015
Format : CD

Since I am away on a brief vacation without the comfort of my tape player and turntable, I give you something truly sublime. I've held onto this for a little while, first downloaded from a friend on a familiar private tracker. This is a mammoth 11-hour box set chronicling what I consider the epitome of Japanese eccentric pop scene from the silent 80s throughout the roaring 90s.

I believe this came with a book or something of that nature. If you're interested in that, well you're gonna have to pull out the proverbial wallet for that because the download did not come with scans sadly. Though I don't think most reading can decipher runes, I could be wrong as I often am.



Sunday, November 19, 2017

Various Artists - Cruel Beasts

Label : Maboroshi no Sekai - B...018
Country : Japan
Year : 1994
Format : C45

Something special for your Sunday. I'd like to think this is rare, but for all I know this could be shelf fodder in its homeland. This is an early release on the very cool Maboroshi no Sekai label which produced similar albums of this sonic ilk throughout its continued existence. The sounds presented here are of a diverse type all deriving from that all encompassing "experimental" umbrella. Some tracks branch off from the textures sprouted forth from bands such as the Boredoms and the Ruins, the spectrum of noisy mayhem and technically proficient chaos.


One may recognize some of the names here, with Japanese underground luminaries like Otomo Yoshihide, Koichi Makigami, and Seiichi Yamamoto making an appearance and also one of my favorite groups from that very subterranean artspace, Harpy. In fact, Harpy's percussionist itoken is the one who chose these artists for this tape. You may recognize him from my Zuppa di Pesce posts awhile back, I really respect his work. Some bands included are avant-proggers Soh Band and psych-noisters Children Coup D'Etat, who turn in some impressive performances. A band I don't recognize is Piranezi, jazzy noise rock for busted eardrums. Lots of unheard tracks here, don't miss it.



Lossless, so don't lose out!

Friday, November 17, 2017

Rik Albatros - Abandoned And Left To Die


Label : n/a
Year : 1994
Country : UK
Format : C30

Ripped by OminousMafioso

As prophesied by... well, me. Here is another tape from that venerable pseudonym. This is a strange one, in a different flavor compared to the regular strangeness purveyed around these parts. Discordant low-fi synth pops in adoration of the Mountain Goats. This guy really seems to enjoy the music of Mr. Darnielle, and is an infamous and famous figure in the following of that fine musical project.

No longer abandoned and left to die, now exhumed and left to fester on the internet!  

Nothing's "here", the creator of this tape wanted me to take down this link. I wonder if he has something brewing...


Hebephrenic - Hide

Label : Tapehiss Recordings
Year : 1999
Country : US
Format : C90

While I'm not wont to post rips from those other than me on the main page, rather regimenting them to the neglected and spider webbed stray links section, I've felt compelled to share this masterpiece of lofi EM. I've been praising this thing since discovering it by chance after reading of it in an old webzine review section and somehow finding it on slsk. It was uploaded by someone by the name of drij. I hope it doesn't bother them much. 

An intrepid reader may notice I've posted this author before, and they would be right. Back in the cruelest month, I posted an earlier tape by Hebephrenic, I personally think this tape is even better than that one. Enjoie.


I'll probably post another Mafioso tape tonite or tomorrow if I get lazy about it. Peeled eyes get the prize, and other self-invented idioms.

Wednesday, November 15, 2017

Some Rare Footage - Stony Love

Label : Memphis Music
Year : 1994
Country : UK
Format : C60

Ripped by OminousMafioso

Another 90s gem from the man with the plan... This kind of tape would probably be better suited for the more "indie" nostalgie blogs, conforming to more of the poppier/footwear glancing side of noize as opposed to the harsher/collage-based/industrial explored here. Though I do have a propensity for synthy stuff, so I guess it's a wash.

Not much info on this group, and I would have probably found more if not for some kind of bad loop on the internet archive. It's a shame, really. Something about Television, and I'm not talking about the consumer electronic though you hear a good amount of those on this cassette. Marquis de Moon Television, must have been a collaboration. Anyway, this is a UK Noise Pop and Post-Punk project by and by, composed of Ric and Marianne, whoever they may well be.



Tuesday, November 14, 2017

Rougeux - Recycled

Label : RRRecords / Statutory Tape
Country : US
Year : n/a
Format : C40

Last of these, finally. I like this one's cover the most, a nice and spacey piece of imagery. Probably a taped over newage tape. Here's some more smatterings of harsh-noise with some corrupted collage to make it more interesting. I first knew of this project from the excellent and seminal America The Beautiful CD from the same conglomerate that brought us the Recycled series, RRR. If I remember correctly, the first track they did in collaboration (in some way, shape, or form) was a brilliant lampooning of the titular anthem... Though I could be misremembering, it was a collage though.


Saturday, November 11, 2017

Various Artists - Industrial Folk Vol. 1

Label : Squealer - SQR 014
Year : 1995
Country : US
Format : 7 inch

Since I'm lazy, I'll just paste the review for this I made on Rateyourmusic:
An interesting little document of something of a sound of bygone days, described here as "Industrial Folk"--not Industrial folk as in the traditional music of the worker but of the "merger of folk roots with modern technology" sez the liner notes. Further on, these folkish roots "are modified by the alien technologies available to the modern artist; tape loops, feedback, and the static of everyday life". I feel like I'm padding an essay here, but it is a pretty interesting perspective especially in retrospect.

A number of these artists would not seem too unfamiliar to those who have gone through the underwaternow tape archive. In fact, I associate this time and place and sound and aesthetic with this particular website. A different flavor of cassette culture.

If you could gather any meaning from that melange of text, I mean to say it's a pretty cool EP. I was going to make a grandiose point on how appropriate that something christened "Industrial Folk" would emerge from the fallen follies of the rust belt, when I realized only a few of these groups would qualify as being from said wastelands. 

That's a cool thought, though. "Industrial Folk" as a genre, not Industrial Worker Folk music, which apparently is something that people have categorized, but a designation for the fin de millénaire incarnation of lofi folk found on some-a tape from labels like Shrimper or Bees Make Honey or, of course, Squealer.