Monday, October 30, 2017

1m54 - All Breaks Loose, I Suppose

Label : Toothpick - TP08
Country : Belgium
Year : 1996
Format : C30

Ripped by OminousMafioso

Very personal and intimate, as lowfi cassettes are wont to be described. This is definitely worthy of such labels, as each sparse track flows along the hiss like some kind of metaphor which loses meaning when I extrapolate on it. It's nice, very nice. And I'd been looking for it for quite the while til I contacted the person who had so graciously gleamed me with a rip of it. The screen name above is someone to watch out for, he has a great collection of tapes and is a very cool guy on top of it. Cheers!

Saturday, October 28, 2017

Various Artists - Cassette Revolution Vol. 1

Label : Narisu Records - CSRN-2501
Country : Japan
Year : 2014
Format : C50
I forgot to post this one, after all the relative trouble I had to go through to get it. Truthfully speaking, I posted this before on a behind-closed-doors kind of site while neglecting my own pet project. I had forgotten my roots, how shameful of me. Anyway, it's here and I can't complain, I need to keep this place's blood flowing.
This is a bit of an odd tape to post here, as its experimentalisms are more latent compared to most other posts here. Dissonance comes and goes, sometimes in favor of a more JPop approach... But there are some (un)hits here, cool stuff all around. I wonder if the Japanese are going to pick up more on the recent kassette kultur revivalism that's been going around the past few years, at least that's what the indie tabloids say. Not like people haven't been putting out tapes consistently since the CD tried to stifle it.


Since I'm a such a generous host, I've scanned and even tried my hand at cleaning the mini-manga (an omake to the cassette, if you will) that came with it. No TL, though. Even though it looks like basic stuff, I can't really read it. Maybe a scanlation group will pick it up and get in tussles with other factions over it.



Wednesday, October 18, 2017

Shep and Me - Nasturtium Inertia

Label : Dear Skull - DS-011
Country : US
Year : 2011
Format : LP
Here's another album for you guys, with the same folk flavor as the last. Truth being, this is free/avant folk in a more Charlie A. McAlister way than a Jackie-O Motherfucker tinge like the last one. Small scale and lowfi ambient pieces abound.
This is a remastered reissue of a 2009 tape. This rerelease is of the odd assortment: it is abridged and yet it is obliged. What I mean by that is that two tracks from the original tape release are redacted in favor of two new ones. Good tidings, a worthy reason to download this one if you happen to have the original. This records packaging is something interesting, too. The sleeve itself is encased in what I can only describe as faux-hardwood flooring texture, and that itself is covered by the album sleeve. Tough nut to crack.




Monday, October 16, 2017

IS - IS

Label : Awesome Vistas - AV-08
Country : US
Year : 2009
Format : LP
It's a real shame I can't really give cool anecdotes on these interesting recordings I find and post here, like all those other respectable illegal filesharing joints. Most of the time, I just find wreckords at a local shop and take em home with little in the way of an obstacle. Quite boring. Maybe I should start writing fictitious proseworks to spice things up. Anyway, what IS this? IS is IS, an improvisational grouping centering around Chris Johanson and his merry group of friends, as seen in this insert:
 A bit voyeuristic, an email conversation between the culprits of this work of freefolk ambiance. As I had found later, some of these cats are pretty big luminaries in the once big(?) free impro-folk scene, lotsa Jackie-O Mothereffer alumni. It's nice, an exercise in a now seemingly bygone style in two sides which probably made for a good soundtrack for the exhibition it was created for. Now that I am thinking for the first time in awhile, I never really thought to check which side is which as this information is obfuscated by the fact that each side is marked by a colored label instead of the traditional text laden generic... I suppose it doesn't matter, unless someone is very serious about the archival of late oughts indie-pain-dance in plasticity.