Wednesday, March 28, 2018

Carlos Alonso - Fragil Ironia

Label : La Sonrisa de Luz / Ediciones Efímeras - Cass. 0010
Year : 1997
Country : Argentina
Format : C30
 Spasmodic & sporadic. Carlos Alonso is a true Patagonian muzikal treasure, having helmed the obscuro experimental group Uno X Uno which may as well have been credited here. Some of the more adventurous reading may be familiar with his escapades via the classic 433rpm blog, where I'm almost halfheartedly certain a tape of their's was presented back in the day.

The music, as I had mentioned, is similar to what I've heard from double Uno. Minimal industrial beatz flirting with free improv and avantrock insanity/inanity. The rip seems a bit fuzzy, I'm not sure if that's the tape itself or the deck, but I'm leaning more towards the source because I'm lazy.


Tuesday, March 13, 2018

Various Artists - Seventh Sign

Label : Tapehiss Recordings / Greyslade Music
Year : 1999
Country : US
Format : C30
Apocalyptic hyponagogia
Hebephrenic and frens make some likeminded sounds; Cumulative synthpop with a psycho-delic flair, not unlike other releases from this particular tape label.
As I have mentioned fervently regarding this project before, the influence of the Legendary Pink Dots is very pervasive. It even comes with a bit naff vocals that somehow fit the swirling synthscapes surrounding them.

 If anyone has any other releases from this project, I would love to get my hands on them. By download or by purchase, I don't really mind either way. I just hope you guys enjoy it.

Sunday, March 11, 2018

El-Ron - Are Dangdut Kings

Label : Records - R 3
Country : US
Year : 1997
Country : US
I don't know what Dangdut is or what royalty that pertains to, or whether or not the band's name is a pastiche of some SF author, but this is good stuff. On my RYM review I compared to the sound presented here to Liquorball, Monoshock, Crawlspace, Fuzzhead, so on and so forth. So, if you like psych noise jam with a dash of krautsploitation, have at this. 
What do I mean by "Krautsploitation"? Well, it's a takeoff from the first track off a LP by a sideproject of some of the above bands called Sternklang. I like the feel of it, and describes this pretty well: taking after der Fatherland's ancestral motorik klangs. Though this a bit more noisier than usual.




Wednesday, March 7, 2018

Only A Mother - Dusty Nuggets

Label : Apparèmment Des Notes
Year : 2014
Country : Italy
Format : CDr
I think that if I had the connections and the savoir faire required of musicmaking Only A Mother would be a sound I would aspire to. Herkyjerky jazz spasms interspersed with country folkisms led to a lot of great music from Pahl and co. Along with his solo career, Frank makes some darned good musics.
Now what we have here is a collection of unreleased recordings. As musicians are wont to do after awhile, releasing archival tidbits from here or there into a neat little package. How it got all the way to Italy is anyone's guess. As the man hisself described in the modicum of a liner sheet, it could have been a box set or something of that nature due to the surprising amount of outtakes. I wouldn't hesitate to throw my dollars down on that.


Friday, March 2, 2018

Michael Vlatkovich & Charles Britt - Transvalue Book I

Label : Thankyou Records - MV-004
Year : 1985
Country : US
Format : LP
Eventful night. The wind was howling and the moon looked right evil, full and peering thru the cloud cover. I was going to wrap up scanning this elpee when I was interjected by the clamors of my domains detritae cluttering about our road. So, I went out and collected as best as I can. To tell the truth, it was a joy. I felt so exuberant; the whole situation felt like an event. The aforementioned lune and the hard blows of the elements only added to it. To peer inside my brain, I was inspired to create. I always keep ideas running in my imagination, compositing what I hold dear to my neurotics. It may come to a surprise, but I would love to make a game. I have so many things in mind, and that's what I meant as an "event", like a scripted one or some emergent thing of those vestiges. It's lovely, in my youth I do feel like it. 
In a brief "review", if one can call it so, I wrote "I'd like to think this is what would result if Zoogz [Rift] went full on gonzo jazz with some decadent poetry of the beat persuasion.". I stand by that short as it may be. Though to expand I'd also like to mention the many moving parts at play here. Tons of interesting ideas in this collaboration recurrent through the christened "transvalue" moniker. At points it takes a third stream approach, another a more rockjazz undercurrent, and a healthy helping of exp. bigband to really draw me in.