Showing posts with label Noise Punk. Show all posts
Showing posts with label Noise Punk. Show all posts

Saturday, December 29, 2018

The 1985 - Obscured By Pink Clouds

Label : Progeria Records - prg002 / Carbon Records - CR21
Country : US
Year : 1999
Format : CD
Before 1975, there was 1985.
Not having heard this in awhile and hard of total memory (wild year, that), I can only give vague past impressions. But I can also speak about the group itself, though I have little info on them despite being "from" the same place.
I suppose it is a rather alien document amongst the scuzzbucket-pigfukkit noize rockers, the standard abrasive punx interspersed with bizarre minimal-electro synth motifs (Recalling at least a tiny bit at points the brilliant Brainiac) make this a worthwhile get. But that's just me. The CD version added all that stuff after the fact for all I know.
The (rightful [if I cared about "sequencing"]) closer on the vinyl platter, "Shooting Blanks" is a noise rock masterpiece in every sense for all I care... Looking now, I made a mistake in the above blurb: what was tacked on was the nameless little snippets after the seminal ender. Although I still do like em fine, it does lessen the impact of hearing the cops raid the band's recording studio/garage.


Tuesday, October 9, 2018

Tuned Out - (The Epics) Apart From The Contamination

Label : n/a
Country : US
Year : 1999
Format : C60
I admit, I bought this because it was one of the few tapes filed under Experimental on eBay that wasn't Zooropa or whatever. Another factor was that it's cheap, and that I have no idea what it is. Well, what it is is noizy hardcore punx. Of course, a large factor of the noise can be attributed to recording quality, but noise is noise. Experiment!
A bit of a hail mary, but I'm sure if all else is equal these guys were/are from Allentown. And at least one of them went on to play in the Atown Sluts. Do with that what you will. To digress, I was originally thinking I'd either put this on my varied detritus blog or send a little birdie mail to Terminal Escape since this seems more their bag... Yet here we are.
Do keep in mind that this is a C60 in name only:

Sunday, August 13, 2017

Pineal Ventana - Stagnancy Is Revolting

Label : PV Records - PV1
Country : US
Year : 1993
Format : 7 inch
Perhaps out of character, have a post-HC record. Saved by its noisy demeanor, however. I may be losing my edge, I almost bought a minimal techno record and very well may have posted it here had I done it (it was rather good, though. Probably should have picked it up). A digression, as they call it, but I appeal to it here.


 Back to the little slab o' vinilo presented, just some scorching noise-industrial sized punx for the discernible of disturbances. A track that it isn't listed actually persists here, which I have made the distinction of in the rip, just for you. There's some nice vinyl messabouts to change it up from the average noisepunck charade, whether its physical or aural I don't really know.


(note to the self, get Photoshop or something to help me stitch manually in a coherent fashion)

Wednesday, January 18, 2017

Unwanted Christmas Presents - Unwanted Christmas Presents

Label : Electrocution Records - ELE 33007
Country : US
Year : 1993
Format : LP
I dislike unwanted Christmas presents. Obviously these guys did, too. This WV-bred weirdo punk would fit right in the catalog of Siltbreeze if not for the untimely demise of vocalist/howler/barker Keith Dunleavy, who makes his voice heard throughout this racket of eighties coaltown dementia. The screeching of the frontman is backed by the metallic improvisation of guitarist/various object player Joe Nathan (no relation to the reliever I presume). This is mainly composed of fragments strewn throughout the nineteen eighties via live performance and garage 4-track debauchery. 
Exhibit A: this cool poster outlines the whole process of this little compilation, with some nice drawings to boot. This is the stuff I crave, garage-punk noise trash with a little lore behind it.


Note that the first track had some residue and/or a scratch on it, so there are some annoying clicks. Luckily, a better version can be found here, along with some other cool things about this obscure little outfit. Also, an interesting interview with Nathan was in Maximum Rock 'n' Roll awhile back, it can be found on page 88 here.