Showing posts with label Tsukimoto Tadashi. Show all posts
Showing posts with label Tsukimoto Tadashi. Show all posts

Friday, January 5, 2018

Tsukimoto Tadashi [月本正] - だってもう雨だよ, サンシャインガール (It's A Rainy Day, Sunshine Girl)

Label : きなこたけ - きなこ-101
Year : 1997
Country : Japan
Format : CD
Disquiet night, this. Here's another offering from the strange and apparently illustrated avant-whatever musician Tadashi Tsukimoto. In this episode, he covers those fateful years of 1993-96, this time with a little help from his friends. Compared to the wildly popular post from a little while back, this is a behemoth. And rougher, too.
A comparison I've been forcing upon this album is one of age periods. The relatively piecemeal aki shimmydisc which was replete with small ditties and childish folksong is given way to manic free improv and harsh acoustic works. Now, about the comparison. I have said in the past that this album is one of adolescence to its predecessor's infancy and burgeoning youth. Projection? Yeah. 
It should be noted that I have decided to actually get off my ass and post this album in the split middle of the night, as often I do find my best work to be seen due to the spastic neurons firing and nocturnal motivation. I also just got off watching the first four episodes of the new Debiruman animu, so I have a bit of hypersexual and hyperviolent energy in my veins 'swell.


Wednesday, December 6, 2017

Tsukimoto Tadashi [月本正] - 1983-1985

Label : n/a
Country : Japan
Year : 1987
Format : 7 inch flexi

Probably the sparsest record that's been shown a light on this blog. Each little track comes and goes as the needle crosses borders between grooves, leaving only jilted melodie and lowfi guitar and piano recordings behind.

I said before on a different site recently, this is one for fans of pseudo-children's muzak the likes of Uncle Calvin's Private Life, maybe Dragibus, etc... But this is a much more stripped down version of that kind of stuff, so donut expect some elektrik eccentricism. The influence of nursery chimes is obvious when he himself gives thanks to his childhood on the back cover. Placed above his halcyon days, he also gives thanks to the great D.D. Records, one of the greatest tape labels in Japon's fabled histry.

I believe Tsukimoto appears on the excellent DD comp "Disk Musik", performing a chune not unfamiliar to the stylings posed here. He also appeared on some compilations put out by the also excellent and eclectic Fifth Column label.