Die Welttraumforscher - Drittes Bewusstsein

Label : Das Moniflabel - PP058

Year : 2012

Country : Switzerland

Format : LP

As of now the last entry in WTF catalogue, and a fine entry at that. Even folkier than usual, with the expected blurry synthpop coalescing with the whimsical arrangements and playful vocalizations.

Third Consciousness is about right. An astral spectral spectacle. What more is there to say other than to leave it all to the waveforms found in this el-p? Pretty-pretty.

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Rеinhold Brunner - Klаnger 1996-2008

Label : Bad Alchemy - Nr 77 / Attenuation Circuit - ACRB 1001

Country : Germany

Year : 2013

Format : CDr

Certainly a collection of sounds. Concrete or midi, and field recording mixed high and low. A bit difficult.

This CD-recordable has a lot of air to breathe, its compositions (a decade's worth written and performed between) are experimental in nature and a bit of a skeleton at times. Some finished and some unfinished (feeling).

This is not Brunner's first go around on Bad Alchemy, having first released a 7 inch single with Thomas Hintner called "Spirograph" (or is that the duo's name?) with the 33rd issue in the ongoing series of zines. The Spirograph projekt continued so to speak with the netlabel release Spinnen.

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Various - No Idea Festival

Label : Spring Garden Music - 011 / Coincident Records - NI-001 / Ten Pounds To The Sound - 002
Country : US
Year : 2004
Format : CD

A thought popped in my head listening to this. Whether or not I can craft the right sequence of words to reflect this thought is anyone's guess. It goes like this, the best free improv/eai/etc. has a sound or timbre similar to that of the noises old rusty buildings or frameworks make.

Whether that was a fabrication can only be known to me, I never really consider releases like these to be especially memorable but that did stick in my head (not my craw) a bit. A compiling of various musical performances in Texas for the No Idea Festival in 2004, featuring my man Jack Wright and his various friends. One word I would use for Jack's brand of free jazz improvisation is vacuous, not in the sense that it is vapid or shallow but a timbral quality of his recordings. It just sounds empty, not in the sense of.... It sounds good, the saxophone is in its own little world in the space of the other noisemakers about around it. Stop and start.

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Die Welttraumforscher - Ohm Olunde

Label : Zauberhaus (Das Moniflabel) - PP052

Country : Switzerland

Year : 2005

Format : LP

Old dawn fades, new dusk rises. The cosmic deep field of Welttraumforscher expands, the stars are coming undone and it's a beautiful thing. Really, it is. I love the little world he has made, even though I can only see it through a small window.

Not much has changed in terms of sound, that is the sound which I have described several times over in various euphemistic phrases. You know, folky synth-tunes from a cosmic forest, etc, etc. Not to say it's derivative, not at all really, or even a complacent difficult 32nd album, nor is it par for the course. Something different this way comes, I say.

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Though in the process of ripping this for your pleasure I am reminded of the frustrations that entails the vinyl format for what I do, it was all worth the effort.

The 1985 - Obscured By Pink Clouds

Label : Progeria Records - prg002 / Carbon Records - CR21

Country : US

Year : 1999

Format : CD

Before 1975, there was 1985.

Not having heard this in awhile and hard of total memory (wild year, that), I can only give vague past impressions. But I can also speak about the group itself, though I have little info on them despite being "from" the same place.

I suppose it is a rather alien document amongst the scuzzbucket-pigfukkit noize rockers, the standard abrasive punx interspersed with bizarre minimal-electro synth motifs (Recalling at least a tiny bit at points the brilliant Brainiac) make this a worthwhile get. But that's just me. The CD version added all that stuff after the fact for all I know.

The (rightful [if I cared about "sequencing"]) closer on the vinyl platter, "Shooting Blanks" is a noise rock masterpiece in every sense for all I care... Looking now, I made a mistake in the above blurb: what was tacked on was the nameless little snippets after the seminal ender. Although I still do like em fine, it does lessen the impact of hearing the cops raid the band's recording studio/garage.

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Pelthead International Conspiracy Theory - Pelthead International Conspiracy Theory

Label : La Bande Magnétique

Year : 1994

Country : Canada

Format : C60

 The second half as promised in the last post, just in time for the prelude to Christmas sunlight. As I mentioned before, this auction was somewhat of a crapshoot, an unknown. It was well worth the few 10s of dollars spent for both of em, two winners. At least I'd like to think so, without the fog of buyer's remorse and bargaining. But really, there is some interesting stuff going on here.

 Music for art installations, like the last one somewhat, but that doesn't take away the listenable aspects of this. Stray samples, strange synthsounds, and autre alliterations abound. The grand mystery revealed itself in a surprise of familiarity: one of the fellows involved in this project is a musician I know (not personally) from a few tapes from the noise-arch archive, Gerard Leckey. Here, under the alias Gabrel [sic] Angel with his partners in croime Patrick Harrop (who did the cover art here as well as the SLOD tape) and Paz Paisley (who has been putting some stuff from this group n perpendicular, including stuff from then and now), it is not too dissimilar to how I remember his own music sounding: collage, minimalism, and electronic overall.

The last tape had this nice little advertisement too but I felt it more appropriate to include it in the finale to the 2 episode miniseries.

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Secret Life Of Dali - Live

Label : La Bande Magnétique

Year : 1994

Country : Canada

Format : C60

 Christmas is in the air, and there's nothing more enchanting than that. Well, except for unknown tapes I picked up on eBay. You never know what to find in these plastic mystery boxes. Here is the first of these media incognita... Like many things, what appears to be totally obscured at first is eventually shone a light with a little scrutiny.
Like so, after previously having no luck finding any info on this at all, I soon found a Youtube channel (of which I was already subscribed) that contained both info and various tracks from this mysterious collective and adjacent.

This particular tape contains longform and lesser longform minimal elektronik pieces, not quite techno and not quite Vice Versa, Suicide, etc. Ambient and prog structure of an art gallery soundtrack.

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Hebephrenic - Ataraxia

Label : Tapehiss Recordings

Year : 1991

Country : US

Format : C90

We keep going further and further back in time in this particular artist's catalog, in this installment quite a bit of fade in and outs. Maybe more ambient and progressive in comparison, too, but still with a mutant-pop sensibility. Ethereal and ghostly but not too harrowing. Listeth.

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Selfs Without Shells - 5: The Number Of Communication

Label : EE Tapes - ET16

Country : Belgium

Year : 1993

Format : C60

Astute minds might notice something about today's post, that is the fact that it has been posted before. Well, apparently. Kinda. What the monumental tape-attack (which I'm glad was not shuttered after a few weeks without downloadability on the blog) posted was the IRRE iteration of this particular series of tapes. What we have here is not a failure to communication, but simply a small series of misunderstanding. numero cinq.

What's different? The tracklisting differs a little bit, though it shares the Birds of a Feather (apparently a separate group? I dunno, I wasn't there) side to a tee. The schism here, ironically, is the one that also shares a title with the other issue, that is 5: The Number of Communication side. Now, I don't know the significance of the number 5 and what it has to do with communication and magick and whatever but it seems to me that it comprises of various collaborations (probably via mail and elsewhere) between members of the Selfs with such incandescent figures as the Sack himself(s) and Del(eted) and autre un-unforgotten luminaries of the underground seen.

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I was not very confident in my ability to discern between different tracks on this one as I am usually, given the muffled aspects of it and my forgetful laziness. Seeing as the "Bofa Feather" side differs from mine on the Brains For Breakfast rip, only one of us can be wrong! Or both.

Human Bone Bicycle - Human Bone Bicycle

Label : n/a (Death Factory Institution?) - 0003

Year : 1997

Country : US

Format : C90

Let me start this by saying that I've been taken a bit by the audio format opus, so I am experimenting a bit here. A 128kbps rip is usually lamented, but in this format it still achieves clarity in the abyss. I dunno. It's a cassette rip, there's not much expected other than to provide it.

On to the music of which the container holds: it's half-and-half. Noiseheads will appreciate the A-side more than I do (I think), a live performance producing sounds that remind me of a trainyard (not dissimilar to the Kakophonia tape, though I feel that one has more punch to it). The B-side I really like, a whole 40 minutes of xylophones and vibraphones being improvised upon. The tinkly quality levels out the more aggressive aspect of its doppelganger power electronik on the other side of the strip.

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Electroscоpe - Where The Оscilloscope Meets The Magic Eye

Label : Boa Records - HISS 8

Country : UK

Year : 1996

Format : C60

From the rack, to the deck, to the jack, music blogging's happy lexicon. I've had this for about a year now (a lucky find at a somewhat local hXc-orientated wreckord shop) but hesitated to crack it open and leave it for all to see like I usually do. There's probably a reason for that hesitation, a reason I have either forgotten or repressed but it's all moot now.......

.........Grace it. Lo-fi organ ballads, of the dirge variety. Well, not that sad. Pretty warm, actually. Farfisa noodlings, disparate drum programming and the real thing, sometimes voice poke through the grey light. They run a unique ship here, not sure about a tight one, and it doesn't seem a ship: too abstract.

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Circadian Rhythm - 新鮮なかおり

Label : Air Records - AIR-3008

Country : Japan

Year : 1986

Format : 7 inch

Some Eastern hospitality in the form of a cute little 7 inche package. The music is quite comfortable, too. A languid Lacrymosa side project, with pop sensibilities between the avant bursts. It's odd, I quite enjoy the B side and do like the chintzy little melodies of the A-side, but this doesn't grab me as much as I would have anticipated... It has all the niceties of the Japanese new wave in all its [musical description/cliche] and weirdo sensibilities (or zolo, whatever that is). Sort of like a lot of technopop I hear, I would prefer to hear kraftverk or O. My. Dee.

Of course, I could just let it settle. Let it grow on me, yes, grow on me like a, er, mushroom. Yes, yes, yes, yes,  Psilocybin hallucination or insomnia? I'll go with the latter, my circadian clock's only right a couple times per day.

I neglected to scan the back side of this one, wouldn't you believe it? Lucky enough, someone was gracious enough to facilitate the missing spaces to Discogs, making my job halfway obsolete. Oh, if you would like to hear more from this rather obscure outfit I recommend checking out Tony Coulter's show on WFMU. If you bug him enough he might just queue em up.

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Somesax - Flapper

Label : Pingo Records - PINGOLP 001

Country : Denmark

Year : 1990

Format : LP

Ripped by Scramoutcha

Danish RIO, who know? My biggest connection to the country is LEGO. Though I'm not sure if the abbreviated form of Rockin' Position is pronounced as one would say river in one or few of the romance languages. Carrying on, this was an old wish of mine. That is, to hear. No big deal, but it's nice to finally be able to hear through the obscurity. And yew, toe.

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Kakophonia Nr.1 - P (0) 0 (X K0 (0) 0

Label : n/a

Year : 1993

Country : Germany

Format : C60

An unknown shriek across sound spectra. "Unknown" meaning I have no clue who was behind this. Although it it befitting that this tape be from an obscure source, given its cacophonic (hah) terror. If I were to dredge up a cliche used by every internet reviewer since the mediums emergence, almost eldritch.

But what do I know? I can't even read, let alone Love. Craft of another form in the field of noise and collage and industrial and the fusion herein. This cassette just never stops from the word go, only ceding when it chokes the medium to its limits.

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