Defuser - World Suicide And Freeze Please

Label : Landslide Records - LSD-502

Year : 1982

Country : US

Format : 7 inch

Here's a real classic, straight from the underground bunkers.

Chiefly the B-side, which is atypically featured in prominence compared to the headliner Freeze Please. You might have heard it before on various platforms and differing qualities, but I figured I would throw my hat in the ring and post my own personal rip. Fresh! 

Defuser were a very intriguing project in the new wave oeuvre: frenetic synths match up to the frenetic vocalisms, a combo which really works as expected. Though that's a little vague, I'd let this speak for itself at 45 revolutions per minute.

 Here

While Defuser hasn't gotten the VoD treatment or a sniff of a CD retrospective, you can make do while someone picks up the pieces by going to their website that's packed with info and good old MP3s.

Cool And The Clones - Wrong Time Of Month

Label : Ejaz - 2001

Year : 1985

Country : US

Format : LP

Here

Freed from the clutches of whoever, and free they are. Improvisational jazz interpolated with electronic treatments and experiments. Everything laid bare on the taped on insert. Live shenanigans. what more does an obscuro-avant fan need? Succinctness is key, the music itself paints an expressionist picture that I could only complete with filler text. Enjoy! 

Max Goldt - Ende Juli, Anfang August

Label : Hidden Records - Bulb No. 7

Year : 1994

Country : Germany

Format : LP

I was going to try and fit this in the month of October before it dozed off into that annual frenzy of orange and black, but working this platform on mobile is a bigger nightmare than any decoration one could place in their lawn. So, I'll compose this in the month of pent up sexual aggression. At least, that's what the internet has christened the month as.

I do believe this is my first time giving this artist a spotlight outside of the stray mention in a blurb concerning someone else. Though I may not always understand it, there is an enthralling nature to Goldt's music. The way the spoken and half-sung passages interact with the dissonant synth backing makes for a strangely intimate affair, like a hologram coming up from the grooves. Like the cover might suggest, an uneasy sort of chill relaxation.

Here

Shrinkwrap - Fear, Loathing & Admiration

Label : Shrinkwrap Propaganda

Year : 1991

Country : US

Format : C90

 The sequel no-one would have expected. Yes, five years after the original post comes a compendium of that very same band. One of those wishlist items I knew I had to buy when it popped up, it's now here for the enjoyment of a relative few. The title track of the tape I posted all those brief few years back is featured here, with the b-side absent. Still, a ton to chew into here. That very same collage heavy industrio-noise rock (not quite Godflesh) is there, with some surprising experimental passages here and there.

Here

Die Welttraumforscher - Werkstatt Wasserstadt

Label : Das Moniflabel - PP040 / Ebus Music - EM056

Country : Switzerland

Year : 1999

Format : LP

To preface this I would like to make a few announcements: Die Welttraumforscher has a new album out on the very intriguing label New York Haunted, it's very nice and I recommend the purchase for all who may have been exposed to him from my blog. Still some copies left of the tape, of which I ordered, so try and go for that if you're into the physical paraphernalia. Cheap, too

The other announcement (...before I once again repeat myself about this wonderful artist for nth time) is that I have been in the process of re-ripping a bunch of records and cassettes previously found on here. I have (marginally) better equipment and instead of doing it from the jack of an old stereo I have come to my senses and started ripping directly from the output. Armed with a Scarlett 2i2 and iZotope, better days are sure to come. If you have slsk, you should have direct access to the FLAC rips (sometimes in 24 bit). I say this because I'm undecided if I should reupload all these one-by-one given the space constraints on Drive and Mega, even considering the efficiency of the opus file format. We will see, new rips will of course still be featured here.

This particular LP is a bit different than the previous ones found here. From my observation, this one is less "song" orientated and more ambient, like the Loon side-project. The singing is there, but the vox feel as if they will melt and meld into the surrealist backing track any second, and they will. Another peculiarity among his peculiar discography is the B-side, a side-long suite. I was tempted to try and split the tracks as they may but without notation I couldn't possibly bother. And why should I? It works perfect as a singular organism of a track.

Here

The above image is my best attempt at manually stitching together the scan of one side of the record sleeve. For understandable reasons, the program was unable to finish the job. This is because each "slice" was simply a mirror image. Although it's not a perfect match, I tried my best.

The Plagiarist Trio - Appearance

Label : Wafer Face - WAFER 4

Year : 1992

Country : US

Format : LP

Here's a strange whiplash of a record, from the fine friends of Wafer Face. As expected from the small press, this is a surreal and dadaistic piece of work. Also expected is the reliance of collages from different mediums from tape to vinyl record.

That's not all to it, really. It's hard to get into as every track in this wreckord sorta fades into the next yet clashes all the same. While it is mostly comprised of scattershot samples over a textural electro-acoustic kinda underbelly, some parts are more song-based than what one could anticipate. I haven't heard the groups other project under the alias Absinthe Radio Trio, but I have to imagine it's in the same ballpark in terms of musical surrealism.

[sic]

here

Hinton-Templar - Isn't That What You Wanted?

Label : The Subelecktrick Institute - SEI 8601

Country : US

Year : 1985

Format : C90

 Brook Hinton was one of many in the Big City Orchestra, and his solo stuff isn't too far of a departure from the varied sounds of the long-running project. Hinton-Templar is apparently a collaboration between he and... himself. I think. This cassette has been ripped before on an obscure corner of the Internet Archive, but not in clear hissy flac format. So there you are.

Here

Claus van Bebber - Akustische Werksübersicht 1977-1995

here

Here's something in the cards I've kept to my chest for awhile. Once again, I had been graciously provided a rip of a long awaited object by a certain online friend. Like a needle reaching the run-out groove, the time since this exchange has allowed me the chance to share with all of you.

Bebber is a very interesting in the Improv scene, a turntablist of sorts like the experimental likes of Marclay and Tétreault. Although I would say he is more in line with the latter than the former, but comparisons are comparisons. Surprisingly jazzy in the trifle and noisy, too! Originally encased in a wooden tomb for collectors of limited editions. I guess that is why it costs up to 100 euros to even hear it. Until today!

Looking back on this a bit, I've become very interested in hearing the rest of this boutique's catalog. Some names I never heard of with some delectable style tags.

Ripped by Scramoutcha
Format : CD
Year : 1996
Country : Germany
Label : Edition Vicchi Ravaglia Goch

Club Moral - Instruments Of Attraction (I. Cerebrale Pathologie)

Label : Kapellmeister Grammofon - KG 03

Country : Belgium

Year : 2003

Format : 10 inch

I'll leave this short. The first rip I'll post here working with new equipment. The turntable stays the same (Pro-ject Debut III) but with a different cartridge (AT95e) at the edge of the tonearm. Also snatched a used acrylic platter off of Amazon for the novelty of it all, I suppose. To tie things together I am using a Scarlett 2i2 to do the ripping. It's a very nice piece, certainly better than the line-in to an old laptop from the headphone jack method I had perfected.

Motor hum still present, an inevitability of Pro-ject systems. At least, from what I've read. Like the music I post, experimentation is key. And speaking of the music I post, I gather it is not too much of an issue that my rips be imperfect. But I'll try!

Anyhow, this is a record I've had for a while now. Can't really recall why I never posted it, other than the fact I didn't care all that much of it. A likely answer was that a rip was already floating around, a perfect excuse. I'll go with that, though the former still stands.

Very "installation" sounding exp. musik, like I'm missing half the picture. Certainly interesting, but nondescript within the realm of my own tastes. The booklet fleshes the whole thing out more, and I have it all scanned (with some words cut off due to the creasing spine of the paperbook making it hard) that I could host if requested. It's just that posting images outside of a vertical line downwards is a nightmare on this site.

Here

Family Underground - West Coast Tour 2007

Label : Into the Lunar Night - No. 18

Country : Denmark

Year : 2007

Format : CDr

To whom it may confront:

primal screams at TV screens.

Here

Drone - The Fat Controller

Label : Q.D.K. Media - CD 007

Year : 1990

Country : Germany

Format : CD

I've said my piece or three [both in public and in private] about this excellent compact disc by this particular New Zealander group, so much so that I'm reduced to generic description. But that doesn't quite fit this album, too many tiny little sublime moments that compare favorably (yes, I'll compare em again) to contemporaries the Dead C. I swear I know a little bit more about this scene post the Dunedin sonic phenomena but I can't quite place it with Dadamah's aura. Listening and deciding is always better than reading and putting it off, really.

Here

Maybe one of the first semi-unofficially authorized rips here? This site has had this up for quite a bit, but I decided to import it for better quality.

Foreign World - Trying To Escape

Label : Foreign Records - F.R.001

Country : Canada

Year : 1984

Format : LP

Escapism, or at least an attempt. Less an excursion into a fictional world and more of a desperate following of uncertain paths out of it. Case in point:

A far cry from what I was given in elementary school. Anyway,

onto the music.

That's what has brought us together today.

I've been at this for so long, and I've never really stopped to think about my methods. No, not those methods. "Ripping" yes, but for plastic platters. I have taken a concerted effort of observing other intrepid givers in the community, be they on trackers or on their own blog, and what equipment they use. It seems obvious to me that my rips have been of a fairly lower quality, with noticeable hums, outdated tech, unnecessary parts of a chain, etc... This one isn't so bad given the "slightly warped" as described nature of the record and my lack of a Gritty Doctor 500 or whatever. I'll be lookin' at tomorrow (Welfare) 

Oh yeah, this is some interesting stuff. A sort of ambient electro-folk improvised. A friend pointed out that it reminded him of number stations broadcasts, an eerie unsettler. I like to think some of the vinyl scraping gives it a character all on its own.

here

XX Century Zorro - La Volpe Du XX Siècle

Label : Old Europa Cafe - OECD 140

Country : Italy

Year : 2011 (1983 orig)

Format : CD

Not to blaspheme the blasphemers, but in the face of the revolutionary MonSter sound system I have shirked the original intentions by doubling the tracks on each channel into one for every song. In its original form, the album has different tracks going on at the same time in the stereo space, perfect for equalizers... But I intend to give it a bit more accessibility if at all.

Warped cabaret tunes and postpunk industrialism in a collage of madness.

here

Five Or Six - A Thriving And Happy Land

Label : Frizz Bee - Frizzbee 2

Country : Netherlands

Year : 1982

Format : LP

Like Durutti Column, except in place of pastoral melancholy there exists an aggressive undercurrent of urban spiral. Like a hellish construction site, but also a bit heavenly. I'm surprised these guys haven't gotten the full-on Cherry Red reissue treatment, having just a Greatest Hits (hm) CD to their name. That's all well and good in this thriving and happy land but it's missing some key tracks. Some of the implied tracks appear here, and on the early retrospective "Cántame Esa Canción Que Dice, Yeah, Yeah, Yeah" that today still sit on their respective plastic platters. Five or six years from now, maybe.

Here